Chungking Express - 1994
Chungking Express is just a freaking masterpiece from Wong Kar-Wai. The first time I saw this film, it intrigued and moved me. But this time I was transported and delighted. With each watch, I seem to get it a little more.
There is just so much to praise here. The incredible camera tricks of film speed manipulation which creates the blurring images of a hyper-moving urbanscape. Impeccable handheld work throughout. The thrilling score which elevates tension in certain moments to almost the level of a thriller. The tilt shots and Dutch angles executed by the wonderful cinematographer Christopher Doyle. And, of course, the repetitive, almost mantric, use of popular (often American) songs and characters interactions with them.
But most of all I love Chungking for the way it collides the isolated yet overstuffed worlds of its lovelorn characters amidst the low-lit city lights. The loneliness is palpable in these figures who somehow seem all too real, as they careen into and find themselves adrift of one another. Many films would go on to utilize this technique of cross cutting and weaving disparate plotlines together, but few would do so with such keen editing and heart-on-its-sleeve movie magic.
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